Ten creative ways to energize a project team

charge2What’s the best project team you’ve ever worked in?  Not the best project, but the best project team?  Why was it so good?  What made it special?   Most of us get to work on project teams at some point, very often with people we’ve never met or worked with before.  In fact, some of us only ever work in this way.  But what makes some project teams soar with creativity, energy and shared commitment while others never really ‘click’?   Why do some teams just ‘feel’ right from day one?    No doubt the leader plays a big part, but come on, we can’t put everything at the door of the project lead.   We all want to be part of something good and projects give us the opportunity to do just that – to work with others towards a common goal, to bask in the satisfaction of a job well done.    It helps to get off to a good start – to set the tone at the beginning – but even a mis-firing team can be re-energized.   So here are ten creative ways to put that little bit of ‘oomph’ into your project.

1.  Make your team’s mission visible.   The team is more likely to be focused and motivated if they can see tangible representations of the project objectives around them.  A great way to do this is to create an inspiration board.    Put aside space in the project office as an area where team members can share ideas, inspirations and artefacts that will get them and the rest of the team fired up.   This doesn’t (necessarily) mean Gantt charts and project documents.  Try to be much more creative than that.    Go for cuttings, photographs, newspaper headlines, postcards, drawings, anything that has a meaning related to what the project is about.   For instance, if the project is about ‘delivering service excellence’, ask the team to bring something in that they feel represents ‘excellence’.  It could be a picture of Roger Federer or a Ferrari.    Think laterally.  Try to encourage the team to be expressive, colourful and have some fun with it.   These things really do have a positive psychological impact on performance and behaviour,

2.  Write a press release.   Get the team or each workstream to write a press release about their part of the project, but ask them to date the release two or three years in the future, when the project has finished.    This forces them to forward wind and imagine looking back at the project.    Encourage them to imagine it’s been a great success and everyone delivered everything they set out to do.  What would the press release read like then?   When complete, look at the words the team has used and how they have captured what success means.   Pin the press releases up on the inspiration board.

3.  Turn the project into an adventure.   This brings the art of storytelling into an office project.   Step back from the nitty gritty of the project, strip out all of the detail and think of a metaphor for the change/project.    What, when all is said and done, is this project all about – making something better, introducing something new, fixing a problem, finding a new world, learning new skills?   Boil it down and then ask the team to turn it into a story, with a title, characters, heroes, villains, obstacles, romance (?), locations etc.   Keep the metaphor running through the project, just within the team only, so everyone involved feels part of it.  Use the inspiration board to bring it to life.

4.  Give workstreams decent names.   I always find workstream names to be so dull and uninspiring.   Get the team to think of titles for the workstreams that generate some excitement, maybe linked to the story idea above.    Use imagery, colour and icons to give some character to the team names, a bit like you get in sports and call centres.   Use it to build a competitive element into the project and help colleagues in other teams to understand more about what each workstream does.  Build identity and get people wanting to belong.

5. Do something together.   Even the best and most productive project teams can run out of fizz, so keep injecting some freshness into proceedings by bringing the team together.  It may be work-related or maybe not, it doesn’t  really matter but whatever it is, make it engaging and creative.   Step away from the office every now and again.   Take a problem up a hill, meet over a picnic or chill out down the pub and have a game of darts (in workstream teams of course!).  Use this time to get to know the people behind the job titles, those people who are helping you make this project a success.

6.  Make project meetings fun.   When you ask people about the best team they ever worked in, they will often talk about the characters in the team, fun activities or how the individuals “just clicked” with each other.   Projects can be tough, especially if they’re not going well, so try to keep the team relaxed and motivated with some light-hearted team building.   I know of a project manager who likened every team member to a character from the Muppets.  When they came in for a meeting he had each person’s character stuck to the back of their chair.   I worked on a project last year in which the PM opened team meetings by playing clips of old Peter Sellers films from You Tube to lighten the mood before a heavy discussion.   These little things work.  They make work fun.   Instead of spending your next team meeting going round the room for individual workstream updates, ask the leaders to present their update in the form of an infographic or photo montage.  Try it. charge

7.  Plan in 3D.   Most project plans are on Gantt charts, MS Project, PowerPoint right?   Fair enough, but try planning in 3D.   Think of how they use models in architecture and construction to visualise the ‘end state’.  Think how the military plans its engagements, with those huge table top maps and model representations of forces moved like chess pieces.  Think how the local church roof fundraising committee uses giant thermometers to show money raised so far.    Be creative and turn your plan, milestone, dependencies, risks, workstreams, progress etc into practical three dimensional models to bring your journey alive.   In fact, create it as a journey, like a model railway, with stopping points, obstacles and journey times.  Again, be creative.  Bring in ideas from other worlds.  Make it fun and engaging.

8.  Spring some surprises   It’s easy to get very introspective when working on a big project.   Everyone’s looking inwards and the topic of conversation at project meetings is invariably about things that aren’t going to plan.   It can become negative and it’s easy to lose sight of the big picture.   What’s more, morale can drop quickly.   People get tired, irritable and unproductive.    So that’s when someone in the team (not always the PM) needs to break the pattern and do something out of the blue.   It may be as simple as cakes all-round in the office or as drastic as whisking the team away for an impromptu morale boosting activity.   I know a PM who uses any old excuse to celebrate an event or theme her communications to the team – chocolate on Valentine’s Day, Shakespearian style memos on midsummer’s day, fluffy rabbits at Easter, surprise gifts at Christmas, a film quiz in Oscars week, sporting metaphors in the Olympics etc.   Great creativity which really energises teams.

9.  Celebrate the heroes.   Forget formal recognition schemes (well, put them to one side for a minute) and think about more creative ways to celebrate achievements in your project.   Make a big play of good work done well.   Call out the ‘heroes’ and the hardworking back-office grunters who very rarely get the credit they deserve.   Have a Heroes’ Wall in the project office and stick photos up of the good performers in the last week.   Make a point of recognising contributions at team meetings and highlighting individual achievements that have helped the project inch nearer a successful conclusion.  But do it in a creative way.

10.  Encourage creativity.    We all know the old cliché that most projects fail.  It’s well documented that the vast majority of business change projects fail to deliver on at least one of their objectives, and the reasons why projects fail are too many and varied to go into here.   But often they just run out of steam.  They lack momentum and drive.   Projects rarely go to plan, we know that, but they can be rescued under the right conditions – good leadership, realistic objectives, a fired-up team etc.    The best projects have a good ‘culture’ – a can-do ethos and a great sense of common purpose.   They also encourage creativity.    So if you want to energize your project, open the doors to new ideas and diversity.   Create a culture of innovation.   Put up whiteboards for colleagues to share ideas, create and use collaborative spaces, follow principles that encourage creativity and challenge.   Give team members time and space for quiet reflection.   Run creative workshops and create an inspiring environment for the team to work in.   Creativity is key.   Keep trying new things, challenge the status quo and generally just give it some welly.   But always stay focused on the business outcome, of course.

 

The only measurement tool that really works

I once worked for a CEO who refused to spend money on measurement.   He once said to me “what would you rather put your trust in – a spreadsheet compiled by an expensive consultancy … or your gut?   No, this is the best measurement tool”, he said, patting his stomach, “and it’s free.”   At the time, I didn’t really know what to make of it.  I thought he was just tight.   But now, with the debate about comms measurement and ‘proving the ROI’ raging fiercer than ever, I find myself coming back to that brief conversation more and more.  I have to admit here, and I say this with some trepidation, that the whole measurement agenda leaves me a bit cold.  In fact, it bores me senseless (cue disapproving tutting sound from my fellow comms professionals!).

Don’t get me wrong, I’m not anti-measurement.  I get the whole evaluation thing.  I’m just saying I find it really dull.   In fact, I’ll go further, I actually find much of the debate pointless, distracting and unnecessary.   A lot of comms measurement seems to be about justifying investment (valid) or making comms people feel good about themselves (less so), not about improving the craft or indeed the quality of the outcome.   I just don’t find a lot of measurement particularly enlightening.  The thing is, communication is soft, measurement is hard.  Trying to produce data to prove the causal effect of a communication is like trying to write a business case for love, or measuring the sincerity of a smile, or the warmth of a hug.   Communication is emotional.   The things we want to measure are understanding, belief, commitment – these are emotional responses.   But we know that people find it hard to express their emotion in words or tick-boxes, because the part of the brain that handles emotion has no capability for language.    Asking people to describe how they feel about an event, a message, a channel or an experience is asking for trouble, or blandness.  

No, the best way to measure emotion is with emotion.    Let’s face it fellow communicators, when something you’ve done has worked well you’ve instinctively known it haven’t you?     Have you ever been to a communication event and been genuinely surprised by the feedback?   Be honest now, if it went well, you knew it from the buzz and the vibe didn’t you?  When it went badly, you could read it on the faces as they left the room.   How many times has your company spent thousands on a staff survey to tell them “what we already know”?    When I work with new organisations, they sometimes send me spreadsheets and PowerPoints detailing the recent staff survey.   But I can get more from saying “forget the survey, just talk to me”.   The insights are always more valuable, and probably more accurate.

And there’s the rub.   My old boss was right in the end, I think.   Gut feel – instinct – should not be under-estimated.   Not sure?  Then read Malcolm Gladwell’s best seller ‘Blink’ about the power of snap judgement.   It’s a brilliant insight into those moments when we just know something without knowing why.   Taking stories and experiments from the military, medicine, music, art and business, Gladwell’s book disproves the conventional wisdom that big decisions require informed decision making, that more information helps you make the right call.  It doesn’t.   For big decisions, it’s nearly always better to rely on your initial reaction, the gut feel.    If you want to communicate a strategy and produce an emotional response with your audience (buy in), make an impact first time and with as few words as possible.    Your audience’s first reaction will usually be the one that sticks.  And you’ll instantly know if it’s worked, because you’ll feel it too.   Of course, a comms survey that tells you 80% of your audience understood the message and felt compelled to act upon it sounds like money well spent, just as it would if the data suggested the figure was 5%.  My point is that you would probably already have known.  You would have known if the comms had worked, or not, by your own instinct and by the gut reaction of those around you.   A good comms person is connected to his/her audience (as surely a good leader is too?) and it’s the quality of that connection that will tell you what you need to know.    Some measurement is good, obviously, but it feels like it’s becoming a bit obsessive.   I just think we should follow the advice that I keep trying to give my daughter when she’s struggling with her homework…. “trust your judgement, darling, go with what feels right.”

Ten great quotes, re-written for the corporate world!

KingIt’s Friday and I’m feeling a bit mischievous.  I’ve been a bit overwhelmed by business-speak in the last few days working on some big projects and my mind has gone a bit hazy.   I found myself wondering what some of life’s most memorable quotations would have looked like if they had been spoken in a corporate environment by true hardcore jargon jockeys.   What if Churchill had an MBA?  What if Gandhi had come from a career in IT?  What if Schwarzenegger’s cyborg assassin had been programmed by a middle manager?  What if the language of the office was the language of the world?   Here then, ladies and gentlemen, is my top ten:

Winston Churchill – “we shall fight on the beaches”

“We shall compete in a multi-platform environment but prioritise investments towards coastal deployment”

Martin Luther King – “I have a dream”

“I possess a fully costed business plan.  On PowerPoint”

Muhammad Ali – “I am the greatest”

“Adjusting for negative influxes and variable uplifts, I have achieved a level of superior and sustainable performance across a broad range of key scorecard indicators to become best of breed.”

Gandhi – “you must be the change you wish to see”

“Your strategic imperative is to implement mission-critical transformation with rigour and focus to optimise benefits realisation”

Arnie in The Terminator – “I’ll be back”

“I intend to exploit opportunities for further re-investment in existing operational activities at a later date … probably in Q3”

Mark Antony – “friends, Romans, countrymen – lend me your ears”

“Stakeholders, Romans, headcount – enter into a collaborative sourcing alliance to facilitate the supply of audio-enabling services”

Richard Dreyfuss in Jaws – “we’re gonna need a bigger boat”

“Given the suboptimal nature of the existing marine vessel, we require an investment proposal to reengineer the current-state solution for improved scalability to meet future operational requirements”

Jack Nicolson in A Few Good Men – “you can’t handle the truth”

“Your assurance and compliance deficiencies present unacceptable risks in relation to your truth-management capability”

Neil Armstrong – “one small step for man, one giant leap for mankind”

“Whilst the output per capita is minimal, the aggregated production totality offers significant scope for strategic long term return on investment”

JFK – “ask not what your country can do for you, but what you can do for your country”

“Ask not how you can leverage career development opportunities but consider your personal contribution to developing the future-state competency framework required to deliver sustained shareholder value”

If you have some of your own, please leave a reply.   Go on.  Think outside the box, go for the low hanging fruit, blah blah blah.

15 songs on my iPod about internal comms

CrowsI had some time to kill the other day while sitting in the car, so I did something only a man would do.  I made a list.   I decided to go though my iPod and make a list of songs about communication.   So, for absolutely no reason whatsoever, beyond self-indulgence, here it is …

1. A Matter of Trust – Billy Joel (for the engagement purist)

2. Pass it on – The Coral (for the Team Briefer)

3. Right down the line – Gerry Rafferty (for the cascade believer)

4. I can see clearly now – Hothouse Flowers (for the audience!)

5. One to One – Joe Jackson (for those difficult conversations)

6. Messages – OMD (for obvious reasons)

7. Before and After – Rush (for the change planner)

8. My Vision – Seal (for the CEO)

9. To cut a long story short- Spandau Ballet (for the editor)

10. Wondrous Stories – Yes (for the storyteller)

11. Round Here – Counting Crows, pictured (for the culture changer)

12. The Other Side – David Gray (for the consultant)

13. Praise You – Fat Boy Slim (for the recognition scheme)

14. Psychobabble – Alan Parsons Project (for the jargon jock)

15. Follow you Follow me – Genesis (for the Twitter lover)

And finally, a warning for communicators everywhere from Talking to Clarry by The Bluetones:

“Communication is blurred

I can’t understand a word

So there’s nothing to be heard

It’s all gone quite absurd!”

Abridge your strategy … and make it funny

ReducedContinuing the theme of borrowing creative insights from other worlds, on Sunday we went to watch the hilarious Reduced Shakespeare Company’s ‘The complete works of William Shakespeare – abridged’.    The premise of the show, which has been around in various formats since the eighties, is to present abridged versions of all Shakespeare’s plays in just 97 minutes.   And of course to do so an entertaining way.    It was a fantastically funny show, performed by just three very talented actors using comedy, songs, slapstick and audience participation to summarise the plots and main characters of every one of the Bard’s plays.   The previous day I took my daughter on a tour of the CBBC studios in Media City in Salford.   We saw the set and props of Horrible Histories – the hugely successful series designed to teach children about history through comedy sketches … and lots of poo and puke jokes.

I mention these two experiences because they are superb examples of using humour to engage and educate.  Strip out the theatrical context of the Reduced Shakespeare show and you have the concept of communicating a complex and detailed topic in an abridged form in a way that’s engaging.   Strip out the production side of Horrible Histories and you have a sure-fire method of engaging a very discerning audience with a subject matter they wouldn’t otherwise show an interest in.   These are issues we communicators struggle with every day.   So what can we learn from the world of entertainment?    I love the idea of abridging a company strategy or business update and turning it into a ‘performance’, with humour and interaction.    I love the idea of selling it as a serious presentation but with the word ‘abridged’ splashed across the title to draw the audience in.   I love the idea of communicating serious messages through sketches and satire.    In short, I love the idea of turning serious business information into comedy.   Very few organisations are prepared to do this.    The leap of faith is too wide for some to contemplate.

Of course, in global companies, humour is notoriously difficult to get right, but in a local context it can be so powerful.   We all like a good laugh and I so wish more companies would see the funny side of business.   Laughter brings out the best in people and it’s a proven method of getting messages to stick.    A whole generation of children in the UK know about the (Terrible) Tudors, (Vicious) Vikings and (Ruthless) Romans because of Horrible Histories.    I’m off to see a heavy production of Hamlet at the RSC in Stratford on Saturday but I already know the plot thanks to the side-splitting abridged version I saw on Sunday.   The message has stuck.   I’m engaged and I have fond memories of how I was engaged.   Isn’t that what we want from our communications?   Try it out.  Reduce your strategy.  Abridge your operating model.  And have a damn good laugh about it.

PS – If you’ve successfully used humour to communicate a serious message, let me know about it and maybe we could feature your case study here on Creative Communicator.

Why we need festivals at work

festival2I walked past my local pub this morning after dropping the car off for an MOT.   Outside the pub was a board advertising an “icons & innovations beer festival”.   When I got home, some tickets had arrived for next month’s Hay Literature Festival.   I then booked a hotel for a quick few days at the Cheltenham Science Festival and while I was doing that I had an email about this year’s Just So Festival – a wonderful weekend of creativity for children in August.    We really are becoming a nation of festival goers.   And I haven’t even mentioned the hundreds of music and food festivals you could pick and choose from this summer.   Anyone for the East Anglian Guitar Festival?  Or the Cornwall Asparagus Festival?   Or the Settle Storytelling Festival?

So this got me thinking.  Why don’t we have festivals at work?   Why don’t we have the “Company X Festival of Collaboration” or the “ACME Innovation Festival”?    There’s something about the immersive experience of festivals that make them so popular.   Maybe it’s about hanging around with like-minded people.  I imagine everyone at the Cornwall Asparagus Festival has a particular fondness for, or interest in, asparagus.   Even spring vegetables can provide a common bond.   People go to music festivals not just to see their favourite band but to learn about and explore other groups and styles.    One of the highlights of our year as a family is going to Hay – five or six days of intelligent conversation, mind-expanding education and relaxation.    I learn more at the Hay Festival in one week than I do in the other 51.   And the ideas I get are endless.   When I’m at Hay, or Cheltenham, or Just-So, or a music festival, I’m 100% engaged.    So, again, why don’t we have festivals at work?

A festival is different from a one-off event or conference.  A festival provides an over-arching ‘reason why’ for a number of activities to take place.  It connects different events through a common theme and provides an ‘experience’ for attendees and participants.   A festival creates a buzz, a bond and a sense of collaboration.   Isn’t this exactly what we try to do to engage people in the workplace?   Don’t we want to provide an environment for learning, collaboration, interaction, discussion, engagement and innovation?   A work festival doesn’t have to interfere with business.   It doesn’t have to be ‘Glastonbury in Accounts’.   It could be a week-long series of lunchtime knowledge-sharing events, or a fortnight of after-work talks on relevant topics.   It could be a period of competitions, idea jams or innovation sessions.   It could be a festival of learning, with new subjects unveiled every day.   It could be a ‘CommsFest’ with daily features and presentations.    People like festivals.  They like the atmosphere, the belonging, the social interaction and the excitement.   Festivals are perfect for internal comms – imagine the concept of the settle Storytelling Festival brought in-house.   I’m a big believer in being inspired by ‘other worlds’ to bring difference and freshness to our really rather sanitised corporate environment.   That, to me, is creative communication.    I’m glad I took that walk today.  And the car passed its MOT too.  Yay!

Cultures are the sum of all the stories

uluru3I’ve just returned from two weeks touring round Australia with my eleven year old daughter.   On our travels we visited Uluru, or Ayers Rock, and learnt all about the culture of the Anangu people, the traditional inhabitants of the area.    The Anangu are said to have the world’s oldest living culture, dating back more than 20,000 years, and one of the reasons for its continuity is the strength of its stories.   In this culture, knowledge is not written down but passed on through songs, rituals, stories and art.   We saw cave paintings on Uluru depicting a great battle between a python woman and a poisonous snake man, as well as tales of other colourful characters such as a kingfisher woman and an evil devil dingo!    These sacred stories are stunning in their simplicity and yet profound in their meaning.   They are passed from generation to generation with great conviction and passion, supported by the physical ‘evidence’ of rock folds, shaped boulders and glacial markings.   You can’t help but believe in them.

At the end of the day, that’s what culture is – the sum of all the stories.  In business, an organisational culture is defined by its stories, tales and myths, and cultures can span generations if the stories are strong enough.   It also explains why culture is so hard to change.   You can’t un-tell the stories once they’ve been told.   You can’t un-behave.    All you can do is to create the conditions for more stories to be told and – to an extent – you can be deliberate about changing some drivers of culture, like artefacts, behaviours, processes and environment.     As we communicators know, sometimes we can deliberately craft new stories, or narratives as we often call them.   We can introduce new rituals and create the modern day equivalent of wall art, but the lesson from the Anangu is that is has to have meaning.   That, I think, is where many organisations fail in their attempts at culture change – the change has no meaning to the ‘tribe’ sitting round the campfire.    Too often, we try to change culture by producing values posters and inspirational mouse mats, but these are simply artefacts.  It’s like having the cave painting without the story.   Culture change happens at a very deep, emotional level – below the surface – where the beliefs, mindsets and motivations lie.   And it doesn’t change overnight, or by Christmas.  It takes years of effort, heaps of role modelling and a shed-load of comms to make it happen.    I once heard culture described as “an active living phenomenon through which people jointly create and recreate the worlds in which they live”.    The key word there is ‘jointly’.    Cultures can change, of course, but bringing about that change requires a joint effort way beyond the tangible artefacts of open plan offices and innovation spaces.    It requires new stories, new rituals and new behaviours.    And it requires time.    That’s as true for an ancient civilization like the Anangu as it is for a bank.